Choosing the right lenses for videography can significantly impact your footage quality and creative flexibility. The Canon RF 24-70mm F2.8L IS USM stands out as the best overall due to its versatility and sharpness, ideal for a wide range of shooting scenarios. For those seeking a budget-friendly yet capable option, the Tamron 17-70mm f/2.8 Di III-A VC RXD offers excellent value with a broad zoom range and fast aperture. Meanwhile, the 70-200mm F2.8 DG DN OS for Sony delivers professional-level telephoto performance for high-end productions. The main tradeoffs in this category often involve balancing image quality, versatility, and budget constraints. Continue reading for a comprehensive breakdown of each option and how they match different shooting needs.
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Key Takeaways
- Versatility in focal length ranges is key for covering different shooting scenarios without changing lenses frequently.
- Constant aperture lenses, like the f/2.8 series, are preferred for consistent exposure and better background separation.
- While premium lenses offer superior build and image quality, budget-friendly options can still deliver excellent results for most videographers.
- Lens compatibility and mount type are critical to ensure seamless integration with your camera system.
- Understanding the specific needs of your projects—whether handheld, cinematic, or event videography—guides the best lens choice.
| Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens |  | Best Budget Telephoto Zoom for Canon DSLR Users | Focal Length: 75-300mm | Maximum Aperture: f/4-5.6 | Lens Construction: 13 elements in 9 groups | VIEW ON AMAZON | See Our Full Breakdown |
| Canon RF 24-70mm F2.8L IS USM Lens |  | Best Premium Standard Zoom for Canon Mirrorless Cameras | Focal Length: 24-70mm | Maximum Aperture: f/2.8 | Image Stabilization: Yes, up to 5 Stops | VIEW ON AMAZON | See Our Full Breakdown |
| Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras (Renewed) |  | Best Renewed Entry-Level Telephoto for Canon DSLR Users | Focal Length: 75-300mm | Maximum Aperture: f/4-5.6 | Minimum Focus Distance: 4.9 ft | VIEW ON AMAZON | See Our Full Breakdown |
| Canon RF28mm F2.8 STM Lens, RF Mount, Wide-Angle for Full-Frame Cameras |  | Best Compact Wide-Angle for Full-Frame EOS R Cameras | Focal Length: 28mm | Maximum Aperture: F/2.8 | Minimum Focus Distance: 0.23m / 9 in. | VIEW ON AMAZON | See Our Full Breakdown |
| 85mm f/1.8 Portrait Lens EF for Canon DSLR Cameras – Manual Focus |  | Best Manual Focus Portrait Lens for Canon DSLRs | Focal Length: 85mm | Maximum Aperture: f/1.8 | Minimum Aperture: f/1.8 | VIEW ON AMAZON | See Our Full Breakdown |
| Sony E 55-210mm F4.5-6.3 Telephoto Zoom Lens for E-Mount Cameras |  | Best for Versatile Telephoto Coverage in Compact Form | Focal Length: 55-210mm | Maximum Aperture: F4.5-6.3 | Minimum Focus Distance: 3.28 ft | VIEW ON AMAZON | See Our Full Breakdown |
| Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony E APS-C Mirrorless Cameras |  | Best for Versatile Standard Zoom with Bright Aperture | Focal Length: 17-70mm | Maximum Aperture: f/2.8 | Lens Mount: Sony E | VIEW ON AMAZON | See Our Full Breakdown |
| Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras |  | Best for Budget Telephoto Reach in SLR Cameras | Focal Length: 75-300mm | Maximum Aperture: f/4-5.6 | Closest Focusing Distance: 4.9 feet | VIEW ON AMAZON | See Our Full Breakdown |
| 70-200mm F2.8 DG DN OS for Sony |  | Best for Professional Telephoto with Constant Aperture | Focal Length: 70-200mm | Maximum Aperture: f/2.8 | Minimum Aperture: f/16 | VIEW ON AMAZON | See Our Full Breakdown |
| lenses for videography | Focal Length | Maximum Aperture |
|---|---|---|
| Canon EF 75-300mm f/4-5.6 III | 75-300mm | f/4-5.6 |
| Canon RF 24-70mm F2.8L IS USM | 24-70mm | f/2.8 |
| Canon EF 75-300mm f/4-5.6 III | 75-300mm | f/4-5.6 |
| Canon RF28mm F2.8 STM Lens | 28mm | F/2.8 |
| 85mm f/1.8 Portrait Lens EF fo | 85mm | f/1.8 |
| Sony E 55-210mm F4.5-6.3 Telep | 55-210mm | F4.5-6.3 |
| Tamron 17-70mm f/2.8 Di III-A | 17-70mm | f/2.8 |
| Canon EF 75-300mm f/4-5.6 III | 75-300mm | f/4-5.6 |
| 70-200mm F2.8 DG DN OS for Son | 70-200mm | f/2.8 |
More Details on Our Top Picks
Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens
This lens offers a versatile focal range of 75-300mm, making it well-suited for capturing distant subjects, especially when compared to the more specialized Canon RF lenses. Its compact and lightweight design enhances portability, but the relatively narrow aperture of f/4-5.6 limits its low-light capabilities and creative control. For photographers who prioritize affordability and basic telephoto performance, this lens delivers decent image quality, though it falls short in build quality and autofocus speed, especially in challenging conditions. Compared with higher-end lenses like the Canon RF 24-70mm, it sacrifices some speed and robustness for a lower price, making it ideal for casual or beginner photographers rather than professional videographers.
Pros:- Good zoom range for distant subjects
- Compact and lightweight for easy handling
- Suitable for various photography styles
Cons:- Aperture is relatively narrow, limiting low-light performance
- Build quality feels basic compared to higher-end lenses
- Focus may be slow or noisy in low-contrast scenes
Best for: Beginners or hobbyists shooting outdoors or in good light who need an affordable telephoto zoom.
Not ideal for: Videographers working in low-light or requiring fast autofocus, as this lens may struggle with focus speed and image quality in challenging conditions.
- Focal Length:75-300mm
- Maximum Aperture:f/4-5.6
- Lens Construction:13 elements in 9 groups
- Closest Focusing Distance:1.5m
- Mount:Canon EF
- Weight:13.4 oz
Our verdict“This lens is a practical choice for budget-conscious videographers seeking basic telephoto reach on Canon DSLR cameras.”
Canon RF 24-70mm F2.8L IS USM Lens
This lens is designed for high-quality video production with a bright f/2.8 aperture, superior image stabilization, and fast autofocus, outperforming the Canon RF 28mm F2.8 in versatility and low-light ability. Its 24-70mm range suits a variety of shooting scenarios, from wide-angle to short telephoto, making it ideal for professional videographers needing flexibility. However, its weight and size can be cumbersome for handheld shooting over extended periods, and its premium price tag reflects its high-end features. While it excels in image stabilization and autofocus smoothness, those on a tighter budget or seeking lighter gear might prefer smaller, less expensive options like the RF 28mm. Compared with the more aperture-limited lenses, this model offers a more comprehensive videography solution, especially in dynamic shooting environments.
Pros:- Bright f/2.8 aperture for shallow depth of field
- Effective optical image stabilization for steady shots
- Fast, quiet Nano USM autofocus
- Versatile 24-70mm focal range
Cons:- Heavy and bulky for handheld operation
- High price point may be outside casual budgets
- Can be overkill for simple static shots
Best for: Professional videographers and serious enthusiasts who prioritize image quality, stabilization, and autofocus performance in a versatile zoom lens.
Not ideal for: Beginners or budget-conscious shooters who need a lightweight, affordable lens, as its weight and cost may be prohibitive.
- Focal Length:24-70mm
- Maximum Aperture:f/2.8
- Image Stabilization:Yes, up to 5 Stops
- Autofocus:Nano USM
- Minimum Focusing Distance:0.69 ft (wide), 1.25 ft (telephoto)
- Compatibility:Canon EOS R series
Our verdict“This lens is an excellent investment for videographers who demand high image quality and stabilization in a versatile zoom, despite its weight and cost.”
Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras (Renewed)
Compared with the original Canon EF 75-300mm, this renewed version maintains the core telephoto versatility with a lightweight design and effective image stabilization, making it suitable for casual videographers on a budget. Its autofocus is quick and quiet, but the build quality feels more basic, reflecting its entry-level status. The lens’s aperture of f/4-5.6 limits low-light performance, similar to the original, so it’s less suited for indoor or evening shoots. For those who want an inexpensive, portable telephoto lens without sacrificing too much performance, this model provides good value. However, professionals or serious videographers should consider more robust options like the Canon RF 24-70mm for better build quality and faster autofocus.
Pros:- Lightweight and compact for easy handling
- Quick, quiet autofocus with micro USM
- Optical image stabilization reduces blur
- Affordable renewed option
Cons:- Limited maximum aperture of f/4-5.6 affects low-light shooting
- Basic build quality typical of entry-level lenses
- External filters needed for protection
Best for: Beginner videographers and hobbyists looking for an affordable, lightweight telephoto option for outdoor shoots or casual projects.
Not ideal for: Videographers needing high low-light performance or durable construction, as this lens’s basic build and aperture limit advanced shooting conditions.
- Focal Length:75-300mm
- Maximum Aperture:f/4-5.6
- Minimum Focus Distance:4.9 ft
- Filter Thread Diameter:58mm
- Mount:Canon EF
- Weight:16.8 oz
Our verdict“This renewed lens is a solid choice for entry-level videographers seeking portability and affordability, with some limitations in low-light situations.”
Canon RF28mm F2.8 STM Lens, RF Mount, Wide-Angle for Full-Frame Cameras
This lens excels for static and handheld videography requiring wide-angle perspectives. Its lightweight design and quiet STM autofocus make it ideal for run-and-gun shooting, particularly when compared to heavier zooms like the RF 24-70mm. The 28mm focal length is more limited than general-purpose zooms, but it offers sharp images with minimal ghosting and flare, improving overall video clarity. The modest maximum magnification means it’s less suitable for close-up shots or macro work. For creators prioritizing portability and a smooth autofocus experience, this lens delivers consistent results, though it’s less flexible for dynamic framing compared to zoom options.
Pros:- Lightweight and compact for mobility
- Excellent image quality with minimal ghosting
- Quiet autofocus suitable for video
- Affordable for a RF lens
Cons:- Limited to 28mm focal length, less versatile than zooms
- Maximum magnification is modest for macro work
- Fixed focal length restricts framing flexibility
Best for: Videographers seeking a lightweight, wide-angle lens for handheld or run-and-gun shooting on full-frame Canon EOS R series cameras.
Not ideal for: Shooters needing a versatile zoom or macro capability, as the fixed 28mm focal length limits framing options and magnification.
- Focal Length:28mm
- Maximum Aperture:F/2.8
- Minimum Focus Distance:0.23m / 9 in.
- Maximum Magnification:0.17x
- Focus Drive:STM
- Mount:RF
Our verdict“This lens suits videographers who prioritize portability and quality for wide-angle shots on full-frame Canon cameras, accepting the limited framing options.”
85mm f/1.8 Portrait Lens EF for Canon DSLR Cameras – Manual Focus
This prime lens offers a classic 85mm focal length with a large f/1.8 aperture, making it ideal for portrait videography that requires beautiful background blur and shallow depth of field. The manual focus operation ensures precise control, but it may be a drawback for those used to autofocus systems, especially in fast-paced shooting scenarios. Compared to autofocus lenses like the Canon RF 24-70mm, this manual lens demands more skill but rewards with a distinctive look and excellent bokeh quality. Its compatibility across a wide range of Canon DSLR models and absence of electronic contacts make it a reliable, straightforward choice for creative control, albeit less convenient for quick adjustments during video shoots.
Pros:- Large f/1.8 aperture produces excellent background blur
- Ideal for portrait and artistic videography
- Compatible with many Canon DSLR models
- Simple, reliable manual focus operation
Cons:- No autofocus, requiring manual operation
- Camera cannot detect the lens automatically
- Requires manual focus adjustments during filming
Best for: Videographers who prioritize artistic control and bokeh effects, particularly in portrait and close-up work on Canon DSLR cameras.
Not ideal for: Shooters needing autofocus for dynamic, fast-moving scenes or those unfamiliar with manual focusing techniques.
- Focal Length:85mm
- Maximum Aperture:f/1.8
- Minimum Aperture:f/1.8
- Lens Mount:Canon EF, EF-S
- Focus Type:Manual
- Filter Size:5.5 cm
Our verdict“This manual 85mm lens is perfect for creative, portrait-focused videographers who value control over convenience, especially on Canon DSLRs.”
Sony E 55-210mm F4.5-6.3 Telephoto Zoom Lens for E-Mount Cameras
This Sony E-mount telephoto zoom stands out for its impressive focal range, spanning from 55mm to 210mm, making it ideal for capturing distant subjects like wildlife or sports. Compared with the 70-200mm F2.8 DG DN, it offers greater zoom flexibility but at the cost of a narrower aperture, which limits low-light performance. Its optical SteadyShot image stabilization and internal focusing provide smooth, stable videos, especially beneficial when shooting handheld. However, the maximum aperture of F4.5-6.3 can struggle in low light, leading to potential focus challenges in dim environments. Its compact and lightweight design makes it suitable for run-and-gun videographers who need mobility, but the higher price for a specialized telephoto zoom might deter casual users.
Pros:- Wide zoom range from 55mm to 210mm offers great subject flexibility
- Optical SteadyShot stabilizes both stills and video effectively
- Internal focusing provides smooth, quiet autofocus for video recording
Cons:- Maximum aperture reduces in dim lighting, impacting low-light video quality
- Limited details on lens elements and coatings may affect image quality in challenging conditions
Best for: Videographers needing versatile, stabilized telephoto footage without extra bulk, such as outdoor sports or nature shooters.
Not ideal for: Low-light indoor videographers or those prioritizing wide-angle shots, as the aperture limits brightness and the zoom range is less flexible for close scenes.
- Focal Length:55-210mm
- Maximum Aperture:F4.5-6.3
- Minimum Focus Distance:3.28 ft
- Image Stabilization:Yes, 4 stops claimed
- Lens Mount:Sony E-mount
- Filter Size:49mm
Our verdict“This lens is a solid choice for videographers who require reach and stabilization in a compact package, but it’s less suited for low-light environments.”
Tamron 17-70mm f/2.8 Di III-A VC RXD Lens for Sony E APS-C Mirrorless Cameras
This Tamron lens offers a compelling balance between speed and versatility, with a constant f/2.8 aperture across the 17-70mm range, making it ideal for both wide-angle and portrait shots. Unlike the 70-200mm F2.8 DG DN, it’s better suited for everyday shooting and close-up work, thanks to its shorter focal length and lighter build. Its optical performance benefits from specialized lens elements, and the moisture-resistant construction adds durability for outdoor shooting. Tamron’s Vibration Compensation enhances stability in handheld video, surpassing many kit lenses. However, this lens is designed specifically for Sony E APS-C cameras, which limits its compatibility, and the fixed focus system may not appeal to manual focus aficionados.
Pros:- Constant f/2.8 aperture across zoom for excellent low-light and shallow depth of field
- Effective vibration compensation boosts video stability
- Moisture-resistant build enhances outdoor durability
Cons:- Limited to Sony E APS-C cameras, reducing flexibility with other systems
- Fixed autofocus may not satisfy manual focus enthusiasts
Best for: Content creators seeking a high-speed, all-around lens for daily video and photo work on Sony APS-C systems.
Not ideal for: Full-frame videographers or users who prefer manual focus, as the fixed autofocus can limit creative control.
- Focal Length:17-70mm
- Maximum Aperture:f/2.8
- Lens Mount:Sony E
- Maximum Focal Length:7 centimeters
- Minimum Focal Length:17 millimeters
- Focus Type:Auto Focus
Our verdict“This lens excels for versatile, fast-aperture shooting on Sony APS-C cameras, but its compatibility and focus system could limit some users.”
Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras
This Canon EF 75-300mm lens offers an affordable way to capture distant subjects, making it suitable for wildlife, sports, and portraits. Compared with the more specialized 70-200mm F2.8 lens, it sacrifices a wider aperture for a lower cost, which affects performance in low light and depth of field control. Its 75-300mm focal range provides ample zoom for distant framing, and the close focusing distance of 4.9 feet allows for filling the frame with smaller subjects. However, the absence of image stabilization means you’ll need steadier hands or a tripod for sharp video footage. The slower DC motor autofocus might also introduce noise, potentially distracting in quiet scenes.
Pros:- Affordable option for long telephoto zooming
- Good for portraits, wildlife, and outdoor scenes
- Close focusing distance allows creative framing
Cons:- No image stabilization, making handheld shooting more challenging
- Use of a DC motor results in slower, noisier autofocus
Best for: Beginners or budget-conscious videographers who need long-range zoom without breaking the bank.
Not ideal for: Videographers shooting in low-light or requiring silent autofocus, as the lens lacks stabilization and has a noisier motor.
- Focal Length:75-300mm
- Maximum Aperture:f/4-5.6
- Closest Focusing Distance:4.9 feet
- Autofocus:DC motor
- Filter Size:58mm
- Weight:16.8 ounces
Our verdict“This lens provides a budget-friendly telephoto zoom solution, but it’s less suited for handheld or low-light videography due to its limitations.”
70-200mm F2.8 DG DN OS for Sony
This 70-200mm F2.8 lens is tailored for professional videographers needing consistent exposure and high image quality. Its constant f/2.8 aperture outperforms the variable aperture of the Canon 75-300mm, enabling superior low-light and shallow depth-of-field shots. The optical image stabilization and weather-resistant design make it suitable for challenging outdoor conditions. Compared to the Sony E 55-210mm, it offers a narrower focal range but excels in low-light performance and professional image quality. Its weight and size, however, can be a hindrance for prolonged handheld use, and its premium price is more suited to serious filmmakers or professionals who demand top-tier performance.
Pros:- Constant f/2.8 aperture offers excellent low-light and depth control
- Optical image stabilization enhances handheld video quality
- Weather-resistant build suitable for outdoor filming
Cons:- Heavy and bulky for extended handheld shooting
- Higher price point may be prohibitive for casual use
Best for: Professional videographers and serious enthusiasts requiring reliable, high-quality telephoto zoom with constant aperture and weather sealing.
Not ideal for: Casual shooters or those needing a lightweight, budget-friendly option, given its bulk and cost.
- Focal Length:70-200mm
- Maximum Aperture:f/2.8
- Minimum Aperture:f/16
- Focus Type:Auto Focus
- Image Stabilization:Yes
- Weather Resistance:Dust and splash-resistant
Our verdict“This lens delivers professional-grade telephoto performance, ideal for demanding videographers, but its weight and cost may be disadvantages for casual or mobile shooters.”
How We Picked
This selection process prioritized lenses that deliver reliable performance for videography, focusing on image quality, autofocus smoothness, build durability, and overall usability. We evaluated each lens’s aperture range, stabilization features, compatibility with popular camera systems, and user interface. The ranking reflects a balance between professional-grade features and accessibility for enthusiasts or semi-pro videographers, ensuring options for a range of budgets and skill levels. Tradeoffs like size, weight, and cost were also considered to provide a well-rounded list tailored to different shooting styles.| lenses for videography | Maximum Aperture |
|---|---|
| Canon EF 75-300mm f/4-5.6 III | f/4-5.6 |
| Canon RF 24-70mm F2.8L IS USM | f/2.8 |
| Canon EF 75-300mm f/4-5.6 III | f/4-5.6 |
| Canon RF28mm F2.8 STM Lens | F/2.8 |
| 85mm f/1.8 Portrait Lens EF fo | f/1.8 |
| Sony E 55-210mm F4.5-6.3 Telep | F4.5-6.3 |
| Tamron 17-70mm f/2.8 Di III-A | f/2.8 |
| Canon EF 75-300mm f/4-5.6 III | f/4-5.6 |
| 70-200mm F2.8 DG DN OS for Son | f/2.8 |
Factors to Consider When Choosing Lenses For Videography
When choosing lenses for videography, several key factors influence your decision. Beyond the specs, understanding how each element affects your shooting experience helps you select a lens that matches your creative goals and practical needs. Here are some considerations to keep in mind.Focal Length and Zoom Range
Focal length determines your field of view, impacting how much of the scene you capture and your perspective. Versatile zoom lenses, like the 24-70mm or 17-70mm, allow for quick framing adjustments, making them ideal for dynamic shooting environments. Prime lenses, such as an 85mm, excel in producing cinematic depth but require lens changes for different shots. Think about your typical shooting scenarios—if you need flexibility, a zoom lens often offers better value and convenience.
Aperture Size and Control
A wide, constant aperture like f/2.8 enables better low-light performance and creates a pleasing background blur (bokeh). This is especially important for cinematic looks or interviews. Variable apertures, such as f/4-5.6, may save costs but can complicate exposure consistency. Consider whether your shoots often occur in controlled lighting or variable conditions—an investment in a fast, fixed aperture lens can make a noticeable difference.
Image Stabilization and Autofocus
Stabilization features help counteract camera shake, essential for handheld filming or run-and-gun shooting. Modern autofocus systems with silent, smooth tracking improve focus pulls and reduce distracting focus shifts. However, not all lenses incorporate stabilization or advanced autofocus, so weigh these features against your typical shooting setup—especially if you prioritize smooth, professional-looking footage.
Build Quality and Size
Durability and weight influence how comfortably you can shoot for extended periods. Robust, weather-sealed lenses are better suited for outdoor or demanding environments. Conversely, compact lenses improve portability and ease of use, particularly for handheld or gimbal-based shooting. Balance your need for ruggedness with convenience based on your typical shooting locations and gear setup.
Compatibility and Future-Proofing
Ensure the lens matches your camera mount and sensor size. Some lenses are optimized for full-frame sensors, while others are designed for crop sensors, affecting field of view and image quality. Consider your future gear plans—investing in a versatile lens that works across multiple systems or offers upgrade paths can provide added value over time.
Frequently Asked Questions
Is it better to buy a prime or zoom lens for videography?
Choosing between prime and zoom lenses depends on your workflow and shooting style. Prime lenses offer superior image quality and wider apertures, which are ideal for cinematic depth and low-light conditions. Zoom lenses provide flexibility, especially in fast-paced environments or when mobility is limited, reducing the need to change lenses frequently. Many videographers opt for zooms for versatility but keep primes on hand for specific creative shots.
What is the most important feature in a videography lens?
While several features influence lens performance, autofocus smoothness and stabilization are often most critical for videography. These ensure stable, focus-pull shots without distracting focus shifts or jittery footage. A wide, constant aperture is also highly valued for controlling depth of field and working in varied lighting conditions. Prioritizing these features helps achieve professional-looking results with less post-production correction.
Can I use photo lenses for videography?
Many photo lenses can be used for videography, but they may lack features optimized for video, such as quiet autofocus or stabilization. Some lenses exhibit focus breathing—a slight change in framing when focusing—that can be distracting in video. If video quality is a priority, look for lenses specifically designed for video or those with smooth, silent focus mechanisms and stabilization. Otherwise, you might need to accept some compromises or do extra post-production work.
How much should I spend on a video lens?
The right budget depends on your professional aspirations and typical shooting conditions. Entry-level lenses can be very capable for hobbyist or casual videography, but they may lack advanced features like constant aperture or stabilization. Investing in a mid-range or premium lens often results in better image quality, durability, and smoother operation, which can be crucial for professional projects. Balance your budget with the features that align with your shooting style and future needs.
Are larger aperture lenses worth the extra cost?
Generally, yes. Lenses with larger, constant apertures like f/2.8 or wider provide more control over depth of field and perform better in low-light situations. They also enable more cinematic focus effects. However, these lenses tend to be bulkier and more expensive. Consider how often you shoot in challenging lighting or need a shallow depth of field—if these are central to your work, investing in a fast lens can be highly beneficial.
Conclusion
For most videographers, the Canon RF 24-70mm F2.8L IS USM remains the best overall choice, offering a versatile focal range and reliable performance. Those on a tighter budget will appreciate the Tamron 17-70mm f/2.8 Di III-A VC RXD for its excellent value. If you’re a professional or shooting high-end productions, the 70-200mm F2.8 DG DN OS for Sony provides unmatched telephoto quality. Beginners or casual shooters should consider simpler, lightweight lenses to start, while enthusiasts aiming for cinematic results might prioritize prime lenses with wider apertures. Your ideal lens depends on balancing your shooting style, environment, and budget—use this guide to match your gear to your goals.
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